Johanna de Clisson Hiromi Objets x Monde Singulier

Johanna de Clisson - Hiromi

Artistic director, designer and ceramist, Johanna de Clisson is a complete artist. A graduate of ENSAD (National School of Decorative Arts), she began by practicing photography, working with a large-format view camera on still life. In 2021, she created her label Hiromi, meaning “free-spirited beauty” in Japanese, a research studio specialized in design and ceramics. Her creations blend rough textured chamotte earthenware and sensual touch cracked enamel she sometimes associates with metal or wood in her immaculate studio-laboratory in the north of Paris. Johanna de Clisson has developed a vocabulary of graphic forms which she explores with HIROMI, a collection of objects such as wall lamps, floor lamps, table lamps and wall modules. Playing with paradoxes, Johanna de Clisson simultaneously sculpts objects with brutalist and voluptuous shapes and volumes, like two extremes colliding. She signs limited edition furniture (seats, bedside tables, coffee tables) and custom-made light sculptures for special orders from architects. At the frontier between art and design, she claims the beauty of constraint and asceticism as her personal guidelines. Genuine backbone of her research, architecture is the main source of reference for the artist who evokes Ryue Nishizawa, Tadao Ando or Oscar Niemeyer as tutelary figures who guide her in her desire to transcribe architectural forms in everyday life. She also draws inspiration from the artistic current of German objective photography, such as Bernd and Hilla Becher’s typological and serial approach. It is in a former workshop in the 9th arrondissement of Paris that she develops and exhibits her work. Old wooden ‘parquet’, white walls, buttercloth curtains and a few design pieces compose this silent space. Johanna sculpts dressed in a white blouse, a uniform that frees her spirit and guides her towards the rigor of her work. Texte: Marie Godfrain Photo crédit: Adel Slimane Fecih

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8 products

Les Objets by Johanna de Clisson - Hiromi, made of Chamotte Earthenware and , Chamotte Earthenware version, picture 0

Objet 12

1 900,00 €
Les Objets by Johanna de Clisson - Hiromi, made of Chamotte Earthenware and , Chamotte Earthenware version, picture 0

Objet 13

2 880,00 €
Les Objets by Johanna de Clisson - Hiromi, made of Chamotte Earthenware and , Chamotte Earthenware version, picture 0

Objet 6 (Chamotte Earthenware) - L

1 300,00 €
Les Objets by Johanna de Clisson - Hiromi, made of Chamotte Earthenware and , Chamotte Earthenware version, picture 0

Objet 6 (Chamotte Earthenware) - M

1 000,00 €
Les Objets by Johanna de Clisson - Hiromi, made of Ceramic and , Cracked Enamel version, picture 0

Objet 6 Cracked Enamel

1 860,00 €
Stellar by Johanna de Clisson - Hiromi, made of Wood  and Enamel, Beige version, picture 0

Created for MS

Stellar by Johanna de Clisson - Hiromi, made of Wood  and Enamel, Beige version, picture 0

Created for MS

Stellar by Johanna de Clisson - Hiromi, made of Wood  and Enamel, Beige version, picture 0

Created for MS

2 collections

Johanna de Clisson Hiromi Objets x Monde Singulier

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Hiromi Curated / Hiromi

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Profile:

Key points:

  • Artistic director, designer, and ceramist.

  • Graduate of ENSAD (École Nationale Supérieure des Arts Décoratifs).

  • Founder of Hiromi, a research studio specializing in design and ceramics (established in 2021).

  • Known for her interplay of brutalist and voluptuous shapes, merging ceramics with materials like wood and metal.

  • Inspired by architecture, especially the works of Ryue Nishizawa, Tadao Ando, and Oscar Niemeyer.

Nationality: French designer

Style: Minimalist, brutalist, and sculptural

  • A balance between raw textures and sensual finishes.

  • Strong architectural influences.

  • Monochrome aesthetic, focusing on form over decoration.


Overview:

Studio Background: Johanna de Clisson founded Hiromi in 2021

Founded in 2021, Hiromi is a research-based design and ceramics studio based in Paris.

Initially trained as a photographer, Johanna de Clisson transitioned to ceramics after several years in artistic direction. Her work blends asceticism with sculptural experimentation, exploring the tension between rough textures and refined forms.

Founders: Johanna de Clisson

Approach, design philosophy: Constraint and asceticism

Johanna embraces a philosophy of constraint and asceticism. She believes in stripping away ornamentation to reach the essence of form. "I constantly try to escape ornamentation for a more ascetic and universal approach," she explains (Source: The Socialite Family). She also emphasizes the importance of simplicity: "I needed a reset, which came through the use of white. Skipping the color stage brings something more universal, more accessible." (Source: HomeMagazine). Deeply inspired by architecture, her work seeks to translate architectural principles into everyday objects, reflecting influences from brutalism and Japanese minimalism.

Style: Minimalist aesthetic

Hiromi’s style is defined by a minimalist aesthetic, sculptural forms, and a preference for raw, tactile materials. The pieces often blend architectural rigidity with organic softness, resulting in objects that are both structured and poetic.

Main inspirations:

Johanna de Clisson draws from various influences, including:

  • Architecture: Inspired by Ryue Nishizawa, Tadao Ando, and Oscar Niemeyer.

  • Photography: The typological work of Bernd and Hilla Becher.

  • Design movements: The Memphis movement and the anti-design philosophy of the 1970s.

  • Material studies: She plays with the contrast between chamotte earthenware, cracked enamel, and wood.

"Architecture is the backbone of my research. I admire Tadao Ando’s work for its rigor and simplicity." (Source: The Socialite Family)

"I try to find strength in extremely simple things. In his essays ‘Thoughts on Architecture and Landscape’, Ando explains that architecture makes sense through a very limited vocabulary of materials and forms." (Source: GoodMoods)

Identity and aesthetics: 3 shapes

The identity and aesthetics of Hiromi are rooted in rigorous form exploration. "I work around three shapes that I have imposed on myself: the circle, the half-circle, the cylinder." she states (Source: Goodmoods).

The studio’s creations balance between architectural references, playful modularity, and a raw materiality that invites tactile interaction.

Values:

The studio values:

  • Simplicity and universality: "The objects you create are rather timeless, outside of trends." (Source: HomeMagazine)

    "I wanted to create objects that go against trends by working in a series-based system." (Source: GoodMoods)

  • The beauty of labor: "I believe in the notion of labor in creation: working again and again on the same idea to legitimize it and make it less opportunistic." (Source: GoodMoods)

  • Material integrity: "Adding texture, like grain in photography, brings something more intimate, creates closeness, reality, and a sense of lived experience." (Source: HomeMagazine)

    "I constantly try to escape ornamentation for a more ascetic and universal approach." (Source: The Socialite Family)

Creative process:

The studio’s creative process is based on structured experimentation:

  • Initial sketches and studies to define proportions.

  • A focus on modularity and repetition.

  • Handmade production in her Parisian atelier.

  • Collaboration with other artisans in wood and metal to expand material possibilities.

Production and materials:

Hiromi primarily works with:

  • Chamotte earthenware: Rough texture that enhances depth.

  • Cracked enamel: Adds a sensual, tactile contrast.

  • Wood and metal: Occasionally incorporated for structural and visual interplay.

Her creations blend rough textured chamotte earthenware and sensual touch cracked enamel she sometimes associates with metal or wood in her immaculate studio-laboratory in the north of Paris. (Source: Monde Singulier)

Production methods:

Johanna employs both hand-building techniques and modular assembly:

  • Hand-building: Creating unique forms by layering and sculpting.

  • Mold-based repetition: Ensuring consistency while allowing variation.

  • Surface treatments: Texturing clay surfaces to achieve desired finishes.

Main categories:

  • Lighting (table lamps, wall sconces, light sculptures)

  • Furniture (seats, coffee tables, bedside tables)

  • Sculptural objects and wall modules

Notable collections:

  • Objet 10 (The Wave): A modular, undulating sculpture.

  • Objet 11 (Pacman): A series of interlocking ceramic forms.

  • Objet 21: A spaceship-inspired suspension light.

  • Objet 24: A sculptural light piece with architectural influences.

Major projects:

  • Custom light sculptures for architects

  • Wall sculptures and installations for private collectors

  • Liberté bakery, Paris (9th arrondissement): Ceramic pieces designed for the space.

  • Galerie Objets Inanimés (Marseille): Exhibited works.

Recognition:

Johanna de Clisson’s work has gained recognition for its innovative blend of sculpture and design. "My creations look like lamps, yet I call them Objects. I like working at the boundary between art and design, between form and function, setting aside functionality to focus on shape." (Source: Goodmoods). Her pieces have been featured in leading design publications and exhibited in contemporary galleries.

Press/media quotes:

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